Five Second Gesture's

Contour Drawings

Values and texturrre Still Life in Class

Blind Contour Drawings

Technology Face

Persona

     Ingmar Bergman kept my attention throughout the entire film.  Persona was an amazing drawing in motion, a constant, perfect fluid composition, and absolutely fascinating.  I feel like some viewers might find some of the scenes to be awkward, but I feel like that brings harmony to what I found to be close to perfect visually.  I found the relationship between the two women to be at first, just professional, at was more an introduction which seemed normal.  But I quickly became annoyed with the actress because she was not speaking at all.  She was offering nothing to the nurse, and this eventually pushed the nurse over the edge.  But this dynamic brought the story full circle at one point.  When the nurse started spilling her guts, it became obvious that she was not so much different from the "artist" as she thought artists were sensitive and compassionate.  When she let her guard down, and became any less than professional, she became vulnerable like the actress.  And the actress for a moment became the nurse.  

     I felt that there were certain things repeating themselves through out the film, such as cigarettes.  They both smoked cigarettes all the time as if they were drinking water.  There are some connotations that could go along with that, such as coping with stress or boredom.  It actually seemed to me like they were very comfortable with each other for a while.  Perhaps they were smoking a lot so that there was an action, to keep the film moving(lets face it, there wasn't much dialogue, and most of it was only the nurse speaking, and I appreciated this very much.)

     The actress was treated as though she were playing a silent role as a scientist observing another human.  I thought it was sad when the nurse realized she was being treated as a specimen, but at the same time, I know I'm guilty of making observations(if that is something to be guilty of.)  As for what theater could represent, I think it represents a platform on which to base lies and fallacy.  The actress had built up to many lies in the theater, that she wanted to speak and act no more.  So she ceased to speak.

     

Picasso and Mose Tolliver Forever

Mose Tolliver(Alabama Artist)

The Brooklyn Rail: Alabama Picasso


    Immediately I found this article interesting because of course, PICASSO.  OK, yea yea, Picasso, duh.  Anyway, so I read on and find out that this Ben La Rocco fellow, the author, is more interested in observing the beautiful woman he went to the Picasso exhibit with than the actual Picassoes themselves!!   But he is not only observing a beautiful woman, he is letting the pretty lady see the paintings for him as he watches her...
  


     "We walked from one to the next and I could see her seeing the paintings, which was so much better than looking at them myself. Life does not imitate art. As life happens around you it doesn’t look or smell or taste like art. It looks like life."


That is romantic, I do believe.   Romantic like cigarettes(I mean that in a good way.) This beginning statement carried through the entire article which was really kind of funny and endearing in a way as La Rocco, an artist himself, takes us through his clumsy journey through an art gallery in Montgomery, Alabama where he manages to knock paintings off piles and onto the floor over and over again in his wild excitement.  Anton Haardt the owner didn't seem to mind.
    La Rocco seems to be relating Picasso to the folk artists of Alabama because of the resourceful approach to the creative process.  La Rocco mentions how Picasso made art out of anything and painted on anything,  that's what these artists do in Alabama.  There is an interesting tie-in at the end of the article, where La Rocco writes, 


    "There are often words boldly etched in their paintings, and there is a celebratory, ecstatic quality to their use of humble materials. There is a pronounced willingness to work with whatever falls to hand. It’s never about the quality of materials; it’s about the inspiration of the moment."

Mose Tolliver

    This brings me back to the beginning of the article when we are given the image of the author watching the beautiful woman see the paintings, instead of looking at them himself.  This is a moment of inspiration to me, because he was probably going to the show to look at the paintings, but instead, he saw them a completely different way.  To me this is very poetic, like cigarettes.  And Chopin.
:|SJH